|
GUITARS IN SPACE VOL 3 $29Cinematic Ambient Guitar ToolkitGUITARS IN SPACE VOLUME 3 is Kontakt instrument based on electric guitar sound source. In recording process, we used 2016 El Diablo Stratocaster, Custom shop combined with several outboard units and effects. In this sequel, there is an emphasis on Muted Guitar (neck), and various loops and textures. This is NOT a fully sampled guitar with many various articulations. This is a tool that has several complementary elements created for composers seeking “that” specific sound. It is simple, compact and easy to use and it blends perfectly with pianos and ambient string sounds. |
THE SOUND
This edition is primarily focused on very natural and responsive sounding muted guitar sampled in neck
position (4 velocity layers, 2 round robins).
Besides this, we added few ear candies which can be very inspiring and are easy to use.
There are 16 instrument (NKI) files and 8 multis (NKM) files.
First two Nki patches are Muted Guitars, (mono and quasi stereo).
All other patches are inspirational loops/sequences and textures that are simple to use .
They are synced to DAW and recorded in 90 bpm, therefore that bpm will sound more natural.
This edition is primarily focused on very natural and responsive sounding muted guitar sampled in neck
position (4 velocity layers, 2 round robins).
Besides this, we added few ear candies which can be very inspiring and are easy to use.
There are 16 instrument (NKI) files and 8 multis (NKM) files.
First two Nki patches are Muted Guitars, (mono and quasi stereo).
All other patches are inspirational loops/sequences and textures that are simple to use .
They are synced to DAW and recorded in 90 bpm, therefore that bpm will sound more natural.
- 306 MB Unzipped size
- 48000 khz, 24-bit quality
- 16 nki files
- 8 nkm files
- Any PC or MAC that can run Kontakt 6.3.2. or higher
- Full Kontakt 6.3.2. or higher
- Free Kontakt Player is NOT supported!
- 4gb of RAM or more is highly recommended
- At least 306MB of hard disc space
Interface is very simple and easy to use. You can immediately control attack and release.
You can adjust hi and lo-pass filter with resonance and cut parameters assigned to knobs.
Instrument has also reverb and delay with dedicated controls, built in.
All of these parameters are clearly visible, and there is no need to spend too much time on adjusting the right settings.
KEY RANGE VARIES, AND IS PATCH SPECIFIC, WHETHER IT IS SEQUENCE, TEXTURE OR MAIN PATCH (MUTED NECK)!
ON SOME PATCHES, KEY HAS DUAL COLOR LOOK.
IN THIS SPECIFIC EXAMPLE ON THE PICTURE BELOW , COLOR DEFINES WHETHER SEQUENCE/LOOP IS IN MAJOR OR MINOR.
LEFT COLOR IS ALWAYS MAJOR AND RIGHT IS MINOR.
You can adjust hi and lo-pass filter with resonance and cut parameters assigned to knobs.
Instrument has also reverb and delay with dedicated controls, built in.
All of these parameters are clearly visible, and there is no need to spend too much time on adjusting the right settings.
KEY RANGE VARIES, AND IS PATCH SPECIFIC, WHETHER IT IS SEQUENCE, TEXTURE OR MAIN PATCH (MUTED NECK)!
ON SOME PATCHES, KEY HAS DUAL COLOR LOOK.
IN THIS SPECIFIC EXAMPLE ON THE PICTURE BELOW , COLOR DEFINES WHETHER SEQUENCE/LOOP IS IN MAJOR OR MINOR.
LEFT COLOR IS ALWAYS MAJOR AND RIGHT IS MINOR.
AUDIO
VIDEO
|
|
|